In an early sequence of a 1991 Channel Four television feature, Northern Crescent (a film about the white-Asian conflicts in Britain following the Rushdie affair), shows a new primary school headmaster, Mr. West, who introduces himself at assembly to his students, most of whom are of Pakistani ancestry.
Mr. West asks the students to name the greatest storybook in the world. After replies such as The Guinness Book of Records and Ghostbusters, he tells them that it is The Bible – his own ethnicity is thus quite apparent. He proceeds to read them the story of Ruth as an example of people making their home in a new place and being welcomed there – he applies this to his own arrival at the school that morning, seemingly oblivious to its application to the Pakistani immigration in this Yorkshire town (the film will go to question whether any sense of ‘welcomness’ is given to these people). The headmaster says he’s not surprised to have received such a welcome, as it is part of the great tradition of this country and particularly of Yorkshire. He notes that of the 180 pupils in the school, 176 were born in Yorkshire. He then asks them whether they would say that are Yorkshire boys and girls. Only four students (one of Pakistani ethnicity) put up their hands, leaving the headmaster looking surprised and perplexed.
Mr. West’s ethnocentrism (i.e. references to The Bible as the best book ever when talking with presumably a mostly Muslim audience) and naïve notions of belonging is commonplace here in Britain. Despite the fact that the students above feel ambivalent about their ‘Britishness’ or even perhaps ‘Englishness’ (which by the way is claimed almost exclusively by white folks), most people in Britain would still identify themselves in terms of nationality and would assert that this is an essential part of their being.