Category: Cinema

On women’s laughter in Malay horror (Part 2)

This is Part 2 of a two-part post on the pontianak and women’s laughter in Malaysian horror cinema. Read Part 1. Consider laughter’s capacity to upset and as a vehicle of resistance. More specifically when women laugh at men, laughing at patriarchy, laughing at power, laughing from below. Situated below speech in the register of… Continue reading On women’s laughter in Malay horror (Part 2)

On women’s laughter in Malay horror (Part 1)

This is an edited version of a conference paper presented at the Inter-Asia Cultural Studies conference in Seoul, South Korea in July 2017 The meaning of laughter, seen as springing from humour and moral degradation, has been a matter of philosophical preoccupation with human morality since the ancient time of Aristotle. And for much of… Continue reading On women’s laughter in Malay horror (Part 1)

What is Islamic about Islamic cinema?

I’ve written a short essay for the Indonesian film journal, Cinema Poetica, ahead of my forthcoming book, Gender and Islam in Indonesian Cinema (2017), published by Palgrave Macmillan: There is perhaps a queasiness on the part of filmmakers, critics, and audiences alike about the label ‘Islamic cinema’. Such feelings are understandable because the creation of… Continue reading What is Islamic about Islamic cinema?

New journal article publication – the female gaze in Malaysian horror film

I have a new journal article published in the latest issue of Asian Cinema, Vol. 26 Issue 2. Abstract: Female ghosts and other supernatural entities, including the pontianak, in Malaysian horror cinema are excessive psychosocial articulations of traditional Malay femininity gone awry. In Malay ghost stories, the pontianak is a vengeful spirit. She is the… Continue reading New journal article publication – the female gaze in Malaysian horror film

Sound, fury and écriture féminine in Violette (2013): a review

When I first heard about the film Violette (2013, dir. Martin Provost), I had little knowledge about the life and work of the French writer, Violette Leduc (1907-1972), on which the film was based. What drew me to the film was the fact that she was one time a protégé of Simone de Beauvoir. Imagine… Continue reading Sound, fury and écriture féminine in Violette (2013): a review

Why did the independent Islamic film community fail in Indonesia?

Last year when I lived in Jakarta, I chased down people of the Indonesian film community – producers, directors, critics, scholars, festival organisers – to talk about the boom years of ‘Islamic cinema’ following the success of Ayat-ayat Cinta (2008, dir. Hanung Bramantyo). In the following interview, I spoke with the film scholar Katinka van… Continue reading Why did the independent Islamic film community fail in Indonesia?

Direct address in Asrul Sani’s Para Perintis Kemerdekaan

In my doctoral research on the poetics of Islam and gender in Indonesian cinema, I found a few inventive cinematic devices and techniques used in the Islamic film genre to achieve various desired effects. In the case of the Indonesian Islamic film, the main desired effect is the use of film as a medium for… Continue reading Direct address in Asrul Sani’s Para Perintis Kemerdekaan

Inter-religious Romance as Patina of Pluralist Harmony in Indonesian Cinema (an abstract)

I will be presenting a paper (titled above) taken from my doctoral research as part of the International Gender Studies Centre Trinity Term Seminar Series at Lady Margaret Hall, Oxford, on 16th May 2013. The theme of the seminar series is ‘Gender and Propaganda’ and I’ve somehow managed to design my paper in such a… Continue reading Inter-religious Romance as Patina of Pluralist Harmony in Indonesian Cinema (an abstract)