‘Between laughter and silence’

Part of the joy of being in the business of teaching and learning is that the learning never quite ends, and if you’re lucky, you get masterclasses from with some of the greatest minds in the business. I was incredibly privileged to attend a personal tutorial session with Professor Catherine Grant recently to work on… Continue reading ‘Between laughter and silence’

Voiceover exercise for Doing Women’s Global Horror Film History

For the second exercise of the AHRC-funded project, I have created an experimental voiceover video that combines an unrelated audio recording with scenes from a horror film, in this case Amanda Nell Eu’s It’s Easier to Raise Cattle (Lagi Senang Jaga Sekandang Lembu, 2017). Amanda’s film is excellent for this exercise; it’s largely devoid of… Continue reading Voiceover exercise for Doing Women’s Global Horror Film History

An article for Penang Monthly

It was a blistering end of June day in Paris, I was in the Aubervilliers neighbourhood of the city, presenting at the first in-person Euroseas conference since the pandemic. Taking refuge in between panels – it was both exhilarating and overwhelming to be surrounded by so many people, many friends at the same time after… Continue reading An article for Penang Monthly

My talk at IIAS, 30th March 2022: From the factory floor to the page

I will be giving a short talk on my current project on modern Malay print romance at Leiden University on 30th March 2022 via Zoom. For more info on registration, click here. About the talk: What is the significance of place and space in the print culture of Malay romance? My presentation demonstrates how print… Continue reading My talk at IIAS, 30th March 2022: From the factory floor to the page

Bandar Baru Bangi field notes

The following was published in the latest issue of BERITA [Malaysia/Singapore/Brunei Studies Group Association for Asian Studies] 48 (1) (2022): On my revisit to Bandar Baru Bangi (New Town of Bangi) in August 2021, I spent hours exploring the town with my assistant behind the wheel. We were also there to see Mrs Hamidah again,… Continue reading Bandar Baru Bangi field notes

Comments on Alluring Monsters: The Pontianak and Cinemas of Decolonization

On 28th January 2022, I was invited to discuss Rosalind Galt’s new book, Alluring Monsters: The Pontianak and Cinemas of Decolonization (Columbia University Press) at NTU’s Asian Cinema Research Lab. We had a great audience and Rosalind was superb. The following are my comments on her book, soon to be published in the journal of… Continue reading Comments on Alluring Monsters: The Pontianak and Cinemas of Decolonization

How to teach Gender and Sexuality in Malaysia

It was a huge privilege to teach Gender and Sexuality at the University of Malaya between August 2015 and June 2019. Right from the outset of my appointment, I overhauled the syllabus to reflect current, local and global debates in the field of feminist and queer theory. I felt that it was absolutely pertinent to… Continue reading How to teach Gender and Sexuality in Malaysia

Structures of feeling and dark laughter: A few more publications for 2019

Utter neglect has plagued this blog yet again. To my detriment I’m sure. I’ve missed opportunities to properly self-promote my work on this blog, the very place that launched my life in writing. To remedy that, here are some rather belated updates. 1. Back in February 2018, my friends Adil Johan, Nazry Bahrawi and me… Continue reading Structures of feeling and dark laughter: A few more publications for 2019

Pink diamonds and a pink Lamborghini: Reflections on personal narrative, charisma, and rethinking shame as political affect

Note: This was a paper presented at the International Conference on Gender and Sexuality in Asia (CoGen 2018) in Monash University, Sunway Malaysia in November 2018. Friends who have followed my research and talks in recent years know it’s a product of years of my fascination with Dato Vida. Vignette 1: In a music video… Continue reading Pink diamonds and a pink Lamborghini: Reflections on personal narrative, charisma, and rethinking shame as political affect