Angry Malay Woman

On the viability of ‘gender’ and ‘sexuality’ as categories in Malaysia

The first thing that would be useful when thinking about genders and sexualities in Malaysia is that the categories of ‘gender’ and ‘sexuality’ are far from native and natural in the national language, Bahasa Malaysia. What is meant by ‘native’ and ‘natural’ refers to the fact that gender and sexuality are relatively recent loanwords. And… Continue reading On the viability of ‘gender’ and ‘sexuality’ as categories in Malaysia

Derrida, the life of the philosopher, and the ‘biopic’

‘He was born. He thought. He died’ Heidegger on the ‘life’ of Aristotle A review of Derrida’s biography by Benoît Peeters in The Guardian today made me think about whether or not the biography is crucial or incidental to understanding a philosopher’s thought. Does knowing (or not knowing) about Derrida’s life enable us to… Continue reading Derrida, the life of the philosopher, and the ‘biopic’

The cinema as house of worship

The cinema and house of worship might come across as incongruent bedfellows. From its earliest days to the present day, cinemas have either been burned to the ground or, more mercifully, closed down for being places of moral decay. Where there is compromise (thanks to heterosexist logic), female audiences are made to sit apart in… Continue reading The cinema as house of worship

The street as stage: Muslims participating in peaceful protests

While in Denmark and Indonesia this year, I found myself standing alongside people who took to the streets to demand the end of oppression against Muslims. In Copenhagen in late summer was a protest against the retainment of the Danish armed forces in Afghanistan. In Jakarta on Valentine’s Day feminist and Muslim activists and members… Continue reading The street as stage: Muslims participating in peaceful protests

Commodification of Islam in Malaysia: A postmodern condition

First published on New Mandala on 8 November 2012. At the World Halal Week held annually in Kuala Lumpur, you can purchase halal bone china, an exemplar of luxury and piety rolled into one. Malaysia is the leader in halal certification and a major promoter of the global halal industry. With markets saturated with a… Continue reading Commodification of Islam in Malaysia: A postmodern condition

Will the real intellectual please stand up?

This is a response to Syahredzan Johan’s article, Rise of the pseudo-intellectuals. First published in Loyar Burok on 29 June 2012. Is Syahredzan Johan intimidated by people who use big words and may actually be smart? I am more than certain he would vehemently respond in the negative to the question above. However his recent… Continue reading Will the real intellectual please stand up?

Pengajian tinggi diperniagakan, mutu pendidikan dipermangsakan

Disiar di Merdeka Review pada 26hb Jun 2012. Siaran iklan di panggung wayang sebelum mulanya filem untuk sebuah universiti swasta yang menawarkan huruf-huruf azimat atas selembar kertas – BA, MA, PhD – ialah sesuatu yang sangat membimbangkan. Dahulu kala, iklan yang mempromosikan minuman keras sering disajikan buat penonton/konsumer. Kini, pengajian tinggi didagangkan seperti kereta dan… Continue reading Pengajian tinggi diperniagakan, mutu pendidikan dipermangsakan

Mainstreaming Islam in the Indonesian public sphere: Ummi Aminah as a case study

The film premiere of Aditya Gumay’s newest film, Ummi Aminah (Mother Aminah) in Jakarta last January 2012 was situated at the crossroads of events in Indonesian film industry. Prior to the screening of the film, the film director’s address to the audience expressed a plea to the public to consume locally-made films. As I write… Continue reading Mainstreaming Islam in the Indonesian public sphere: Ummi Aminah as a case study

Notes on power and the difficulties of theorising gender in Indonesian film-making

Talking about gender in Indonesian cinema is actually quite hard when you get down to establishing a sort of link between gender as an analytical construct and gender as understood in public discourse. What was always frustrating, was that when one began to talk about gender in film, the conversation turns into a discussion about… Continue reading Notes on power and the difficulties of theorising gender in Indonesian film-making

Sang Penari: the female body as a sexualised site of masculine struggle

At the time of writing, I was experiencing the warmth of critical acclaim bestowed on an Indonesian film that had just finished its all-too-brief exhibition at cinemas in Jakarta. The film, Sang Penari (The Dancer), is described by film critics as the apogee of Indonesian cinema 20111. Arguably the “best film” of last year, and… Continue reading Sang Penari: the female body as a sexualised site of masculine struggle