In my doctoral research on the poetics of Islam and gender in Indonesian cinema, I found a few inventive cinematic devices and techniques used in the Islamic film genre to achieve various desired effects. In the case of the Indonesian Islamic film, the main desired effect is the use of film as a medium for… Continue reading Direct address in Asrul Sani’s Para Perintis Kemerdekaan
Author: Angry Malay Woman
I like plants.
Homecooked food March/April – the highlights
Yes, I know, I haven’t been writing here enough. It’s been a very busy few months obsessing over my PhD thesis. If you’re asking, yes, the thesis is taking shape quite nicely and I am very proud of it. What makes me a little less proud is how neglected this blog has become. But here’s… Continue reading Homecooked food March/April – the highlights
Inter-religious Romance as Patina of Pluralist Harmony in Indonesian Cinema (an abstract)
I will be presenting a paper (titled above) taken from my doctoral research as part of the International Gender Studies Centre Trinity Term Seminar Series at Lady Margaret Hall, Oxford, on 16th May 2013. The theme of the seminar series is ‘Gender and Propaganda’ and I’ve somehow managed to design my paper in such a… Continue reading Inter-religious Romance as Patina of Pluralist Harmony in Indonesian Cinema (an abstract)
Field work food: Sundanese cuisine in Jakarta
During my field research in Jakarta last year, I became a fan of bakso urat (large meatballs made with bits of offal packed with collagen goodness), buntut sapi belado (oxtail cooked with chillies), road side nasi uduk (fragrant rice and uncooked herbs typically served with fried catfish or chicken), Sate Khas Senayan restaurant (best chicken… Continue reading Field work food: Sundanese cuisine in Jakarta
My talk: ‘Dakwah at the Cinema: Identifying Indonesia’s ‘Islamic’ film as a genre’
On Tuesday, 19th February 2012, I will be presenting a seminar on my PhD research as part of the Centre for Southeast Asian Studies Seminar Series (abstract below). Religion in film is a relatively new and under-explored branch of (principally) film, cultural and area studies. Currently, the study of religious representations in cinema goes down… Continue reading My talk: ‘Dakwah at the Cinema: Identifying Indonesia’s ‘Islamic’ film as a genre’
January home cooking with l’oeuf
Perhaps not many people know this, but I love cooking second only to my holy trinity of reading, writing, and research. This month, I attempted easy winter dishes with eggs. The first is a relatively stripped down version of the Israeli Arab (principally Tunisian) dish, shakshuka, with merguez sausages: The other dish (I felt compelled… Continue reading January home cooking with l’oeuf
2013: Let’s celebrate the banal
In the last three years, this blog served mainly as a repository of my writings. But this year, I’m going to attempt something different; I’ll begin to post photos of my cooking and the less than artful snapshots of my life on this blog. Perhaps at times, if I am feeling reckless, I may even… Continue reading 2013: Let’s celebrate the banal
Rape, media coverage and our bloodstained hypocrisy
First published on the 30th of December 2012 on Loyarburok Early yesterday morning, an Indian woman died from severe internal injuries after being raped by six men in New Delhi. The global reportage of an unnamed rape victim is an unprecedented event for a crime that is depressingly commonplace and downplayed or sensationalised in the… Continue reading Rape, media coverage and our bloodstained hypocrisy
My interview with film director Nia Dinata
Nia Dinata is one of Indonesia’s most important film-makers. Known for tackling subject matters such as abortion, polygamy, and sexualities in a profoundly refreshing way, the films of teh Nia have received worldwide acclaim outside the geographically parochial national film industry of Indonesia. I had the valuable opportunity to ask teh Nia about her views… Continue reading My interview with film director Nia Dinata
On skodeng visual culture
Marshall McLuhan perhaps never foresaw how the global village would one day become like a Malay village where a person’s code of morality was carefully circumscribed and their private life is everybody’s business. One aspect of the online Malay village is the exchange of saliva-inducing moral tut-tutting and cruel assassination of character between internet users… Continue reading On skodeng visual culture