Just two foreign single women getting drunk in Paris: femininity adrift in Good Morning, Midnight (1939) and The Dud Avocado (1958)

Sasha Jansen and Sally Jay Gorce are the quintessential flâneuse in the birth city of the flânerie, Paris. They represent two sides of the flâneuse’s emotional inner landscape; aimless, lonely, and morally suspect on the one hand, freewheeling and liberated on the other. As single women, they defy the expectations of women in the city… Continue reading Just two foreign single women getting drunk in Paris: femininity adrift in Good Morning, Midnight (1939) and The Dud Avocado (1958)

Will be back very shortly!

It’s a been an experientially short week (you realise there are too few hours in a day when you have tons to do!): started my job lecturing sexuality in Southeast Asian cinema last week, insisted on having a social life however sad, and curating Feminist Week on Loyar Burok this week. I noticed that I… Continue reading Will be back very shortly!

By yet another fluke I am nominated for the Brass Crescent award again!

I was nominated for best Southeast Asian blog by the lovely Brass Crescent selection committee two years ago, and here I am again nominated for the same category this year! Yay, me. As much as I am thrilled and humbled, I am surprised. I was going through some life-changing events in the last two years… Continue reading By yet another fluke I am nominated for the Brass Crescent award again!