Just two foreign single women getting drunk in Paris: femininity adrift in Good Morning, Midnight (1939) and The Dud Avocado (1958)

Sasha Jansen and Sally Jay Gorce are the quintessential flâneuse in the birth city of the flânerie, Paris. They represent two sides of the flâneuse’s emotional inner landscape; aimless, lonely, and morally suspect on the one hand, freewheeling and liberated on the other. As single women, they defy the expectations of women in the city… Continue reading Just two foreign single women getting drunk in Paris: femininity adrift in Good Morning, Midnight (1939) and The Dud Avocado (1958)