Since submitting my most recent book manuscript to my publisher in June, I threw myself into films; watching a feature a day or across several days on most days of the week, several shorts a day, nearly all on the Criterion Channel, at the last ASEACC conference in Chiang Mai, the Painting with Light art… Continue reading Avid film-watching, watching films avidly
Category: Cinema
Be like Insiang
Lino Brocka’s film from 1976, Insiang, opens in a slaughterhouse. Hung by their hind legs, loud squealing pigs meet their end by a decisive stab down the neck. We never meet anymore pigs, alive or dead, later in the film, which means this is but a grisly foreshadowing for things to come. As viewers, we… Continue reading Be like Insiang
New publication [January 2025]
Back in May 2022, I was invited to a lovely workshop organised by Cüneyt Çakırlar at Nottingham Trent University. It was my first time in the ancient, much spruced-up city of Nottingham, the northern English spring gently warmed my cheeks. The workshop would eventually produce a new edited volume, Transnational Horror: Folklore, Genre, and Cultural… Continue reading New publication [January 2025]
New publications 2024
Earlier this year, after more than a year of online tutorials and mentoring with leading film scholars of video-graphic production funded by an AHRC project led by Alison Peirse, I was proud to see my first ever video essay published in MAI: Feminism and Visual Culture. It is part of a Special Issue edited by… Continue reading New publications 2024
‘Between laughter and silence’
Part of the joy of being in the business of teaching and learning is that the learning never quite ends, and if you’re lucky, you get masterclasses from with some of the greatest minds in the business. I was incredibly privileged to attend a personal tutorial session with Professor Catherine Grant recently to work on… Continue reading ‘Between laughter and silence’
Voiceover exercise for Doing Women’s Global Horror Film History
For the second exercise of the AHRC-funded project, I have created an experimental voiceover video that combines an unrelated audio recording with scenes from a horror film, in this case Amanda Nell Eu’s It’s Easier to Raise Cattle (Lagi Senang Jaga Sekandang Lembu, 2017). Amanda’s film is excellent for this exercise; it’s largely devoid of… Continue reading Voiceover exercise for Doing Women’s Global Horror Film History
Pecha Kucha video for Doing Women’s Global Horror Film History
At long last, the world premiere of my first video essay exercise as part of the Women’s Global Horror Film History project funded by the AHRC, led by Associate Professor Alison Peirse. Being a complete beginner, it took me 10 days to learn how to use Adobe Premiere and create a one-minute video! It’s in… Continue reading Pecha Kucha video for Doing Women’s Global Horror Film History
Mystics in Bali: a warning to the western gaze
The following is a piece I wrote for a special issue on global folk horror in Altyazi, the leading Turkish-language film magazine, in a project funded by the British Academy. Other contributors of the issue include Rosalind Galt, Bliss Cua Lim, Gary Needham, among many otehrs. Turkish version here. *** By the 1980s, Bali had… Continue reading Mystics in Bali: a warning to the western gaze
Comments on Alluring Monsters: The Pontianak and Cinemas of Decolonization
On 28th January 2022, I was invited to discuss Rosalind Galt’s new book, Alluring Monsters: The Pontianak and Cinemas of Decolonization (Columbia University Press) at NTU’s Asian Cinema Research Lab. We had a great audience and Rosalind was superb. The following are my comments on her book, soon to be published in the journal of… Continue reading Comments on Alluring Monsters: The Pontianak and Cinemas of Decolonization
Book talk: Pontianak and Cinemas of Decolonization
I will be discussing Professor Rosalind Galt’s new book, The Pontianak and Cinemas of Decolonization (Columbia University Press, 2021) in a book talk organised by The Asian Cinema Research Lab at Nanyang Technological University, Singapore, on 28th January 2022.